An Electric Eclectic insight of the Pandemic’s effects on book sales.

Despite shops being closed for much of 2020, figures show Britons bought books in volume – although many authors continued to struggle.

UK

More than 200m print books were sold in the UK last year, the first time since 2012 that number has been exceeded, according to an estimate from official book sales monitor Nielsen BookScan.

Although physical ‘bricks & mortar’ bookshops in England were closed from 23 March until 15 June, and then again from 5 November until 2 December, with differing lockdowns in place around the rest of the UK – Nielsen has estimated that the volume of print books sold grew by 5.2% compared with 2019. This equates to 202m books being sold in the UK last year and was worth £1.76bn, up 5.5% on 2019, said Nielsen.

The Bookseller magazine (https://www.thebookseller.com/news/bookscan-estimates-2020-full-year-print-market-55-value-1234212 ) said the figure represented the biggest volume rise in the books market since 2007 and the highest annual value since 2009.

Waterstones, Kate Skipper called the figures encouraging. “So many people have turned to books for sustenance, information and joy through this difficult year.”

USA

Physical retail and online retail have taken dramatically different paths during the pandemic. Well-established chains like Brooks Brothers, GNC, J. Crew, and Neiman Marcus have all made Chapter 11 filings, while Amazon, eBay, Walmart, and Target reported record sales.

While book publishing, generally, has performed strongly thus far during the pandemic, bookstores have not.

Despite much positive news around publisher net sales, the U.S. Census data show that bookstore sales declined 28.8% in October 2020 vs. 2019 and 31% YTD.

Through the summer of 2020, Barnes & Noble, like most independent booksellers, balanced opening restrictions against offering online order pickup and greatly expanded online sales. By late fall, cafe and magazine newsstand sales were still down significantly, but book sales were running ahead of a year ago, aided by a doubling in online sales.

COVID-19′s impact on publishing sales and the supply chain has been less than many feared it would be. Whatever doom and gloom surround the publishing industry during the COVID crisis, sales cannot be singled out for scorn. Trade sales in 2020 were almost uniformly ahead of 2019, and in several categories, unit sales were up over 20% through mid-December.

EBOOKS

The ebook format has been to some extent reborn during the pandemic, recovering from shrinking percentages of overall sales, and publisher disdain for the format.

AUDIOBOOKS

After years of spectacular sales growth, audiobook sales growth slowed significantly in 2019: 16.4% versus 34.7% in 2018, based on data from the Audio Publishers Association (APA). NPD Group reported that unit digital audiobook sales were up 15% through May 2020. The AAP calculated that downloaded audio sales were up 17.3% to the end of October.

In the library market, Overdrive, which had been seeing year-over-year growth in audiobooks, saw depressed audiobook adoption in the pandemic. A possible reason cited by the company: commuters who had been listening to books in the car (or on mass transit) were no longer going into the office.

ELECTRIC ECLECTIC asks…

Overall, the numbers are positive for audio; only the pace of growth is slowing.

Podcast consumption offers an interesting perspective on this data.

Spotify reported in July that in its second-quarter 21% of users were listening to podcasts, up from 19% in Q1. Overall consumption of podcasts more than doubled.

Podtrac recorded 47% download growth for the 52 weeks ending November 01, 2020.

Are these listeners being lured away from audiobooks? Or are podcasts just part of an overall burgeoning audio trend?

PUBLISHING

The pandemic has had an enormous impact on how publishing companies are staffed and how staff execute their work. And, by all accounts, that impact may mark a permanent shift in publishing workflows.

In early August, Penguin Random House confirmed it will not return to its offices “until sometime in 2021… or until it’s safe and it’s practical, whenever that may be.”

Also in August, Hachette CEO Michael Pietsch sent out a note that “we will not be requiring anyone whose work can be done remotely to return to any of our offices for the foreseeable future.”

GENERAL

Overall retail sales changed only slightly in 2020, but there were huge swings month-to-month. April sales were down 14.7% from March but were followed by an 18.3% jump in May. November retail sales dropped 1.1% from October but were up 4.1% from November 2019.

Book retail is a set of businesses. First, it’s both physical and digital. More than half of all book retail takes place online (with Amazon accounting for at least half of those sales). Physical retail, on its own, has several components, broadly speaking: chain bookstores, independent bookstores, big-box retailers like Costco, and “newsstands” at drug and grocery stores, airport stores, etc.

Then there is digital, capturing more than 10% of most book publisher sales, and the vast majority of self-publishing sales. Amazon controls at least three-quarters of that market.

TO CONCLUDE

The changes in the retail landscape speak volumes. (Pun intended).

On the one hand, from now on publishers must treat bookselling as online- and digital-first, physical-second, with no further questions asked.

Pre-COVID it was still valid for publishers to ponder “where does Amazon fit within our reseller channel strategy?”

The question henceforth is “how do our reselling channels align with an online-first strategy (particularly for Amazon)?”

And the mouse in the corner might be heard to squeak “and what should we do about the bookstores?”

Although the sudden pandemic-driven shifts may slow or revert toward the mean with the achievement of a “new normal,” we believe that important underlying changes will persist and continue to evolve.

Keep Happy, Paul

The Electric Eclectic Novella Fiction Prize -Shortlist

The Electric Eclectic Novella Fiction Prize opened for submissions back in February 2020, just before Covid interrupted our lives.

The pandemic delayed the judging by a few weeks but now can now reveal the titles and authors who have made the shortlist.

The following manuscripts are now with Crimson Cloak Publishing of Missouri, USA who will be selecting the winning entry, while Electric Eclectic are choosing the two runners up.

The shortlist is as follows, (in no particular order)

Jenifer Dunkle with ‘Aunt June’

Jonathan Koven with ‘Below Torrential Hill’

Kaare  Troelsen with ‘Equilibrium’

Philip T Stephens with ‘Doublemint Gumshoe’

Stevie Turner with ‘Scam!’

Wesley Britton with ‘The Wayward Missiles – A Beta-Earth Chronicles story’

Wilma Hayes with ‘Power of Women’

Providing we have no further setbacks, lockdowns, etc. Electric Eclectic plans to announce the winners late May 2021.


While you are awaiting the final results, why not grab yourself a copy of an Electric Eclectic book and enjoy the read; you can find Electric Eclectic books by simply entering ‘Electric Eclectic books‘ into your Amazon search bar.

Alternatively go to @Open24, the Amazon store for readers and writers, follow this link, http://bit.ly/EEbooksonOPEN24

Give your books their best chance

We are all guilty, at times, of taking things for granted, and that includes me.

For example, I have taken it for granted you know what Electric Eclectic is and how it works, which I know you, or at least many people, do not.

So, I shall endeavour to explain…

Whether you are an established author, an emerging writer or a debut novelist, all of us have one main wish when it comes to our works; we want our books to be read.

To achieve your dream, you must let the world know you have written a great work, a wonderful collection of short stories or poetry, an enticing novel, your mémoire, or whatever writings you may publish.

This is when things become difficult for indie authors. Few of us have the funds, the know-how, the contacts, the experience or the backing to compete with mainstream publishing houses.

Neither do most have the luxury of time; many indies hold down full-time jobs, have children and family members to care for, along with the many other commitments.

Life can be hectic and demanding.

These are a few of the reasons I founded Electric Eclectic.

Electric Eclectic is NOT a publisher. We do not take any royalties.

Neither do we claim any rights over your work. What is yours, remains yours.

So, what is Electric Eclectic?

In its simplest form, Electric Eclectic is a marketing brand.

Technically, Electric Eclectic is a decentralised international co-operative alliance, managed by members in various countries around the globe, forming a strong branded synergy of collaborative association specialising in authorship, book branding, publishing, marketing and promotions.

Using Electric Eclectic branding, being part of the alliance, allows authors to penetrate deeper and wider into the publishing marketplace reaching many more readers than one can do alone.

Electric Eclectic authors work together and for one another while promoting their books and author presence.

Electric Eclectic concentrates in promoting the brand itself, creating marketing opportunities and offering services for the benefit of its member authors.

As an Electric Eclectic author, you also have the backing of the other members, who will willingly advise, help and support you when required.

Electric Eclectic has a far-reaching, multi-platform social media presence encompassing, Facebook, Instagram, Twitter, YouTube, MeWe, LinkedIn and many more.

Plus, we have a great ‘friends’ network, these are other author networks and publishing houses who work closely with us in promoting indie authors books and those published by the small press, therefore greatly extending our market penetration.

We have a large range of information; Documents, Files, Links, Giveaway books, and various Services to aid and assist Electric Eclectic authors and to help and encourage the use of the marketing and promotional opportunities available through Electric Eclectics initiatives.

Electric Eclectic is not a membership scheme.

There is no annual fee or charge.

It is NOT FREE to join, but it’s darned close.

We do ask for a once off, lifetime author registration fee. This confirms you as an Electric Eclectic author. You’ll be surprised just how small this fee is.

The second cost is a licence fee, allowing you to use the Electric Eclectic branding. Each book using the Electric Eclectic branding requires a licence, as this is linked to the books ISBN or ASIN. Again, this is a very small amount.

We do NOT claim Electric Eclectic is the answer to your all your prayers.

This is NOT a get-rich-quick scheme. Nor do we promise the sales of your books will increase a million-fold overnight or the number of ardent fans will rocket through the roof.

Electric Eclectic should form ‘part-of‘ your authorship, publishing and marketing armoury.

It is NOT intended to replace it. You will still need to work at promoting your books.

What Electric Eclectic is, is a low cost, effective method of reaching a wider audience, connecting with likeminded authors, gaining accesses to help, information & documentation, and benefitting from Electric Eclectic’s marketing initiatives.

To find out more how you can become an Electric Eclectic author, please email us at, eebookbranding@mail.com

Keep Happy, Paul White, founder of Electric Eclectic.


Orphans of the pen

Like many writers I have a store of part written works. Literary orphans, many of whom deserve better parenting than I have given.

Some are first drafts of short stories, ones which need attention before I could possibly allow others to set eyes upon them.

Some are beginnings of new books and novels. Many are several chapters – or more – in length. A few far longer, yet abandoned and gathering dust in the archives of ‘I’ll take another look at it, soon, one day, when I have time, sometime.’ 

Some are mere scribblings, outlines of thought, rough drafts of similar concept, or of unjointed notes, sort-of-bullet-points, fleeting notions.

Occasionally, I have pulled the odd page from the depths of neglect. In a few instances, I have reworked such a piece, even developed it into a viable story.

But those times are seldom.

Generally, when I unearth an old unfinished, partly written, abandoned tale, I quickly scan it, faintly recall its birth and return it, with a promise of coming back and spending some time with it ‘when I can give it the attention it deserves.’

Which is probably, almost certainly, a long way off from this current day, like… never.

We make the excuse of having more pressing and urgent tasks as current commitment. We enjoy the conception of creation, of having new babies in the making and we look forward to the birth of out next.

That is, if they reach as far as the publicatory birth. If our current focus is not waylaid or distracted by another fancy, another attractive proposition of literary lust which causes us to forsake the unborn penned pages, formed only weeks ago, during our crazed desire to conceive another narrative fable.

We, as writers, are not good rolemodels for caring and nurturing our creativities.

This is, as you can tell, one of the ‘things’ which I have been silently musing over during the past however-long it has been.

I wanted to understand why I could not simply open a file, drag out the unborn foetus of past indulgence and continue writing where I had left off. Even a re-read and re-write, rather like a genetic splicing of characteristics, to take each past abandoned child of mine from infantile scrawling to full blown beauty and let them loose.

So, I tasked myself to do precisely that. To wrench open the doorway of dusty archives and let the light flood in.

I was astounded by the mass of unloved writings huddled in the dank corners of my hard drive. However, I was determined to make amends for the neglect suffered by these poor word documents. After all, they never asked to be created.

One by one, I read the works.

By the time I reached mid-way point of the fifth part-work, I had my answer.

It is all to do with mood, muse and moment. At least it is for me.

Allow me to explain…

As I said earlier, literary lust and crazed desire set us on a special relationship in the attempt to conceive a beautiful outcome, a desired work of the bestselling nature.

While our mindset is concentrated, focused on a single relationship we flourish, some of us are capable of holding two, maybe three such affairs on a steady and productive track.

But each and all of these are balancing on a knife edge of frustration, distraction and boredom. Unable to help ourselves, our minds are constantly on the look-out for other attractive propositions and exciting ventures.

Therefore, once our muse is diverted the love for what is under our fingers wanes. Rarely is it lost, just lessened, it diminishes, at least for the present.

Then, one day we find these lost loves, or that which we once begat from such a relationship; they reach out, arms feebly grabbing for our attention.

But are we ready to take them to our bosom once more?

Most time, the shame is, we are not. We are not ready or willing. So, we slam the door in their faces, committing them to the darkness of closed files one again.

Why are we so cruel in our neglect?

The answer, I have found, is that mindset I mentioned earlier. To pick-up and move forward, we must rekindle the fondness we felt before, relight the old flame of particular creation.

Without us being ‘in the zone’ with regards to each individual story, we shall never see them grow into the works they surely deserve to be.

Maybe, to assuage your guilt of the shame and self-reproach I have now raised in your heart and mind, because of your wicked neglect over your part works, maybe you should unlock you archive doors and take some time with your unborn literary children.

Bring them out of the shadows, let them dance in the sunlight of new development and re-writing nirvana. You never know what wonderful orphans you may have forgotten.

Need more encouragement?

Then do this…

Dust off one of your lost children, re-write and re-work it into a Novelette or Novella, then publish it as an eBook or a Pocketbook or both, under the Electric Eclectic brand.

Share your creation with our Electric Eclectic authors, allow us to help you spread the word of your new-born, to introduce it to our loving readers.

Become an Electric Eclectic author today and start sharing your once orphaned works with the world.

Email Electric Eclectic, eebookbranding@mail.com