I first published this post, in June 2015, on a blog called Ramblings from a Writers Mind where I ‘write about writing for writers’.
The subject, one of memory and nostalgia is, I feel, equally important to the readers among us as it is to those who write. It is on that premise I now re-publish this post here, on Electric’s Eclectic’s blog.
Enjoy.
I am sure I am not alone when I say stations and trains hold countless evocative memories for me. Many of these recollections are from my childhood, others from my adolescence and beyond. But most are essentially pure nostalgic longing.
I say nostalgic longing rather than reminiscent memory because most of the evocative scenes which play within my mind, when I contemplate railway carriages and station platforms, are false recollections. They are simply wistful yearnings for a time and place I have never been privy to.
Those of you who may not have a creative bent, those who are not writers, poets or lyricists may not, as yet, comprehend my words. So I shall, in my usual arbitrary, chaotic and irregular manner, begin to ramble away and hopefully elucidate you all too where my thoughts have wandered regarding this subject.
If you will humour me, I shall ask you to close your eyes for a moment or two and imagine you are on a station platform in the nineteen forties or fifties.
Hear the sounds of the locomotive hissing steam as it waits for the passengers to disembark. See the porters as they wheel loaded wooden carts to the goods wagon, while others push handcarts laden with passenger’s luggage to the coach doorway where they assist the people to board.
In the waiting room, a small coal fire burns filling the air with a sooty but homely scent, a scent of warmth and comfort. From a small kiosk, a man wearing a scarf and flat cap sells newspapers to the passengers waiting on the platform.
All around, a cacophony of sound melds into this concert of life, whistles blow, milk churns clank, You can hear the ‘thunk’ as reams of newspapers are plonked on the platform ready for collection. Passenger’s voices are a constant murmur, a backdrop to the stationmaster’s call of “All aboard”. Doors slam shut, the train huffs and puffs as it pulls away. A metallic squeal pierces the air as the wheels begin to turn.
Those remaining on the platform wave off their loved ones who, leaning out of the windows, blow kisses back.
The pervading smell is of coal, steam, hot metal, wood, newspaper and soot.
This is how I remember railway stations. Or at least this is how my selective and partially false memories cause my mind to create this evocative picture in my head.
I am not quite old enough to had such an experience. I was not born into that era. My time came a little later. Perhaps I do have just enough knowledge, enough memory to blend some truth into this fantasy.
As a young child, maybe six or seven years old, I regularly watched the last few operational steam trains as they rattled over the railway bridge in Penge.
I remember ‘platform tickets’, tickets which allowed non-passengers access onto the platforms to say goodbye and wave off their loved ones, or to meet them on their return. I have sat in the comforting warmth of a British Rail waiting room which was heated by an open coal fire, the smell of which I shall never forget. I also recall when the green liveried trains had first, second and third-class carriages, as well as a goods wagon and guards van at the rear.
Some may say they were the ‘good old day’s’ and in many ways, I agree. But historical conclusion is not the topic of today’s rambling.
I was not born early enough to have encountered life in the forties, not early enough to truly know the scents, sounds and feel of travelling by train in ‘those days’. Yet I do have the ability to create with my pen an acceptable and, this is the important bit, believable account of ‘being there’.
This is where ‘false memory’ becomes a friend and not the enemy.
Mixed with the few true memories I have are the perceptions of what life was like during such times. I have absorbed and pooled many of these ideas by reading books and watching films from that era, such as Brief Encounter (1945), or The Lady Eve (1941) and many other such scenes from plays and television programmes.
If, as a writer, I do my job well I can utilise both the true, the false and the acquired to create a world which shall captivate the consciousness of the reader, draw them into my fantasy world as their eyes traverse the page. I want to fascinate and enthral the reader, not only with my characters and their antics but also by lending to them an illusory world where they can escape the mundane and humdrum of life, at least for the moment.
This is where nostalgia, or at least nostalgic imagery features. I believe it is something we all have a longing for. Who, for instance, would not wish to travel back, to at least one certain point in time, if they were able?
I know it is something I would do if it were at all possible.
So why, I hear you ask, have I focused on railways as a topic to discuss the past. The answer is simple. Trains were ‘the’ mode of transport for the majority of people ‘way back when’, when few owned a car, less could afford to board a ship and air travel was just an aviators dream, accessible to only the very wealthy. Most towns and cities, other than one’s own home town, were too far away to cycle and horses were all but history.
How many of us have not said at least one goodbye, waved off a loved one or shed a tear on a railway platform. Who has not been 
bursting with excitement and anticipation while awaiting the arrival of a train returning a family member, a friend or a lover home?
It is fact stations are a place many hold dear because this is where we have experienced numerous emotions, countless times.
The station, the train, the railway is a place indelibly ingrained, permanently embedded and entwined with both our memory and emotion, however true or however false those evocative recollections might be will still hold them close, we still cherish them.
We all carry within ourselves a simple wistful yearning for a time and place we have never been. If I can re-create that place in your mind, stimulate your emotions, have you feel the air, taste the scents of my imaginings as you read my stories then know I have done a good job.
Thank you for reading this post. I hope these few randomly scribbled words give you food for thought or simply entertained you for a short while, Paul.
To browse my books please feel free to visit my website, https://paulznewpostbox.wixsite.com/paul-white
If you would like to read a shorter book, say as an introduction to my writings, then check out my novelettes and ‘Pocketbooks’ on @open24, the Amazon store for readers by Electric Eclectic.
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speak. I wrote the Pseudoverse Series because I believe in one adage: If you want to read something and you cannot find it, write it yourself. I believe some things need to be said, and I have a lot more to say in the coolest and most devious damn way I know how. That devious side of me would be hiding messages in plots and narratives as all of the writers before we did since the dawn of charcoal and papyrus. When I am alone at night squirming in pain staring into the darkness with a journal on my end table, and a chapter-by-chapter movie begins in my head, all of the pieces of the novels fall into place, and I’ve worked them all out: 
The entire Pseudoverse Series is a puzzle! The novels are in themselves divine puzzles waiting to be slid together. Enjoy them as a fun roller coaster ride that never stops (Check out the Blog on Heliotrope as a Storyboard). The historical accuracy will blow you away from the hours of research that DC Belga and Cad Gelb put into these stories. Cobalt will be forever a stunning debut novel I will cherish as young parents cherish their newborns. I as most authors do when they finish their first novel, wept. These novels are not masterpieces to be shoved into a bookshelf and admired from afar but loud grenades that go off in your hand, leaving a mark on your forehead that begs the question: “You know, there is more to this book than just this beautiful pulp-inspired cover. Look closer, and you may see something you never saw before. Why would someone spend all this time doing this?” Duck! Its a well-executed barrage of hidden events going off all around you in all different directions! Your grey mass explodes!
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