An Electric Eclectic insight of the Pandemic’s effects on book sales.

Despite shops being closed for much of 2020, figures show Britons bought books in volume – although many authors continued to struggle.

UK

More than 200m print books were sold in the UK last year, the first time since 2012 that number has been exceeded, according to an estimate from official book sales monitor Nielsen BookScan.

Although physical ‘bricks & mortar’ bookshops in England were closed from 23 March until 15 June, and then again from 5 November until 2 December, with differing lockdowns in place around the rest of the UK – Nielsen has estimated that the volume of print books sold grew by 5.2% compared with 2019. This equates to 202m books being sold in the UK last year and was worth £1.76bn, up 5.5% on 2019, said Nielsen.

The Bookseller magazine (https://www.thebookseller.com/news/bookscan-estimates-2020-full-year-print-market-55-value-1234212 ) said the figure represented the biggest volume rise in the books market since 2007 and the highest annual value since 2009.

Waterstones, Kate Skipper called the figures encouraging. “So many people have turned to books for sustenance, information and joy through this difficult year.”

USA

Physical retail and online retail have taken dramatically different paths during the pandemic. Well-established chains like Brooks Brothers, GNC, J. Crew, and Neiman Marcus have all made Chapter 11 filings, while Amazon, eBay, Walmart, and Target reported record sales.

While book publishing, generally, has performed strongly thus far during the pandemic, bookstores have not.

Despite much positive news around publisher net sales, the U.S. Census data show that bookstore sales declined 28.8% in October 2020 vs. 2019 and 31% YTD.

Through the summer of 2020, Barnes & Noble, like most independent booksellers, balanced opening restrictions against offering online order pickup and greatly expanded online sales. By late fall, cafe and magazine newsstand sales were still down significantly, but book sales were running ahead of a year ago, aided by a doubling in online sales.

COVID-19′s impact on publishing sales and the supply chain has been less than many feared it would be. Whatever doom and gloom surround the publishing industry during the COVID crisis, sales cannot be singled out for scorn. Trade sales in 2020 were almost uniformly ahead of 2019, and in several categories, unit sales were up over 20% through mid-December.

EBOOKS

The ebook format has been to some extent reborn during the pandemic, recovering from shrinking percentages of overall sales, and publisher disdain for the format.

AUDIOBOOKS

After years of spectacular sales growth, audiobook sales growth slowed significantly in 2019: 16.4% versus 34.7% in 2018, based on data from the Audio Publishers Association (APA). NPD Group reported that unit digital audiobook sales were up 15% through May 2020. The AAP calculated that downloaded audio sales were up 17.3% to the end of October.

In the library market, Overdrive, which had been seeing year-over-year growth in audiobooks, saw depressed audiobook adoption in the pandemic. A possible reason cited by the company: commuters who had been listening to books in the car (or on mass transit) were no longer going into the office.

ELECTRIC ECLECTIC asks…

Overall, the numbers are positive for audio; only the pace of growth is slowing.

Podcast consumption offers an interesting perspective on this data.

Spotify reported in July that in its second-quarter 21% of users were listening to podcasts, up from 19% in Q1. Overall consumption of podcasts more than doubled.

Podtrac recorded 47% download growth for the 52 weeks ending November 01, 2020.

Are these listeners being lured away from audiobooks? Or are podcasts just part of an overall burgeoning audio trend?

PUBLISHING

The pandemic has had an enormous impact on how publishing companies are staffed and how staff execute their work. And, by all accounts, that impact may mark a permanent shift in publishing workflows.

In early August, Penguin Random House confirmed it will not return to its offices “until sometime in 2021… or until it’s safe and it’s practical, whenever that may be.”

Also in August, Hachette CEO Michael Pietsch sent out a note that “we will not be requiring anyone whose work can be done remotely to return to any of our offices for the foreseeable future.”

GENERAL

Overall retail sales changed only slightly in 2020, but there were huge swings month-to-month. April sales were down 14.7% from March but were followed by an 18.3% jump in May. November retail sales dropped 1.1% from October but were up 4.1% from November 2019.

Book retail is a set of businesses. First, it’s both physical and digital. More than half of all book retail takes place online (with Amazon accounting for at least half of those sales). Physical retail, on its own, has several components, broadly speaking: chain bookstores, independent bookstores, big-box retailers like Costco, and “newsstands” at drug and grocery stores, airport stores, etc.

Then there is digital, capturing more than 10% of most book publisher sales, and the vast majority of self-publishing sales. Amazon controls at least three-quarters of that market.

TO CONCLUDE

The changes in the retail landscape speak volumes. (Pun intended).

On the one hand, from now on publishers must treat bookselling as online- and digital-first, physical-second, with no further questions asked.

Pre-COVID it was still valid for publishers to ponder “where does Amazon fit within our reseller channel strategy?”

The question henceforth is “how do our reselling channels align with an online-first strategy (particularly for Amazon)?”

And the mouse in the corner might be heard to squeak “and what should we do about the bookstores?”

Although the sudden pandemic-driven shifts may slow or revert toward the mean with the achievement of a “new normal,” we believe that important underlying changes will persist and continue to evolve.

Keep Happy, Paul

August edition of the Electric Press magazine is now live online…

The August 2020 edition of Electric Press – Literary Insights magazine is now online. Read for FREE below

We welcome contributions and submissions for the next edition of Electric Press magazine, the November 2020 edition. Click HERE for details


Electric Press magazine: February edition, now out.

The Electric Press Literary Insights magazine: February 2020 edition is now available online. Simply follow this link. 

https://issuu.com/electricpress/docs/epfebruary20

EPCoverFebruary20

Answering Questions…

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Recently, we have seen an increase in the number of people asking who or what is Electric Eclectic.

So, it is the question I shall answer here.

Technically, Electric Eclectic is a decentralised international co-operative alliance, managed by members in various countries around the globe, forming a strong branded synergy of collaborative association specialising in authorship, book branding, publishing, marketing and promotions.

Okay, I hear you say, but what does that all mean?

The best way for me to answer that question is to give a little history of Electric Eclectic.

A few years ago, I was browsing the net, looking for some books to read.

A simple task.

Well, no, not really. As I searched I quickly realised this was a bit of a minefield.

Not only is there a plethora of titles on major bookstores websites, but there are also books on offer, or discounted, or offering gifts, or vouchers and even a vast number available for free.

Now, while there is such an overabundance of free and heavily discounted books, why on earth would any sane minded individual want, or even consider buying a book?

Clearly, this trend of giveaways is damaging the publishing world as deforestation is killing our planet. Readers DO NOT follow reading a free book buy purchasing the authors’ other titles, they simply move onto another free book, then the next and the next and the next. (See, FREE is killing indie)

Not only do the industries own figures show only 2% of free books are ever read, but they also show 97% of those who collect free books do not make any other literary purchases.

This got me wondering.

Why, if the book is well written and entertaining, should authors be offering their books at a vastly discounted price anyway, or even trying to bribe someone by giving away goods and vouchers?

After all, these are books which they have invested a great deal of time, lest to say money, in writing and publishing. Are their efforts not worth a few pounds or do these authors know their work is of such poor quality their book would not stand up to the competition without some form of enticement to gain a sale?

I was at a craft fair not so long ago and small handmade trinkets, bracelets, necklaces and such were on sale at what I thought were very high prices, as were the greeting cards and other craft paraphernalia.

After talking with a few of the stallholders I understood the investment of money and effort they spent in producing each individual item. I then realised that £15.00 (GBP) for a handcrafter sterling silver beaded necklace (on leather) with polished semi-precious stone was indeed a very reasonable asking price.

The cost of this necklace was bought further into perspective when I realised I spent £3.50 on a paper cup half-filled with lukewarm weak coffee, a price I accepted without flinching.

I know which was the better value.

My thoughts are, if you have something of quality, especially something created with the uniqueness of original thought and conception, then you have something which, by its very nature, holds an intrinsic value which should never be diminished.

This experience cumulated with me founding Electric Eclectic in 2017, which I originally referred to as Electric Eclectic books. 

EEnewLogo

My original concept was a simple but effective one.

I knew most, if not all authors, have a vast accumulation of unused stories, part works, short unpublished tales and so forth. Mostly, these sit in a desk drawer or on a computer file gathering the dust while waiting patiently for the ‘I’ll finish that one-day’ promise to be realised.

I thought, why not encourage my fellow authors to dust off these neglected, forgotten, orphaned stories and publish them as short works, as eBook Novelettes to introduce readers to their writing style.

As I am a firm believer people do not value-free, as it holds no value whatsoever, my idea was to price these Novelettes at a simple 1.00 price, be it Pounds, Dollars or Euros.

By giving each of these books a light edit, a uniform format, and a consistent cover design we were able to create a brand image, bolstered by the edition of the Electric Eclectic logo.

These books, our Electric Eclectic Novelettes, would give readers a low-cost opportunity to sample the works of all our Electric Eclectic authors and, once they found the authors whose writing style and narration they enjoyed, they could then purchase the author’s main books knowing they were getting a quality read they would thoroughly enjoy and not be taking a chance on an ‘unknown’ writer.

For our Electric Eclectic authors, they would earn a small royalty on the sale of a story which would, in all probability, still be languishing in a dead file and have the chance of gaining new fans and followers.

I do not know of any other marketing programme which pays an author to promote their own books.

EEEEE

By having all our author’s books sharing a common brand, Electric Eclectic, gave us all a far higher prominence in bookstores, such as Amazon and, of course whenever any of our books were promoted the brand was promoted too.

This way, each author is also helping their fellow Electric Eclectic authors showcase their works along with their own.

Since then Electric Eclectic has somewhat evolved.

We now offer far more than just our original Kindle Novelettes, although they are still a major part of our library. Electric Eclectic now have paperbacks (novels and short story collections) and are currently introducing a smaller version paperback, called pocketbooks; these are still complete, whole books, but are printed in a smaller size to make them easier for carrying, whether commuting or travelling on vacation.

All this is a boon for readers of Electric Eclectic books, they now have a much wider choice of formats in which to enjoy our author’s books and, as we are frequently introducing new authors to the Electric Eclectic fold, there are new books and stories to discover.

There’s more…

Electric Eclectic has grown far beyond its original concept and is firmly focused on developing the emerging new independent authored publishing market, a ground shift environment for future generations of writers.

Electric Eclectic boasts its own Amazon store, a YouTube channel, online magazines and catalogues, marketing services, Author Assist services, blogging networks and an influential social media presence across and beyond the major platforms, using core and micro-social influencers to reach both broad and niche market demographic targets.

Visit and browse, https://electriceclecticsblog.wordpress.com/

EEauthorbecome

Become an Electric Eclectic author.

Each year Electric Eclectic welcomes a small number of authors to our ranks. This year is no different.

To join us, email: EEbookbranding@mail.com

I hope the above answers your question about Electric Eclectic, of course, should you have more questions or need clarification about anything Electric Eclectic, please contact us.

Keep Happy,

Paul White

Founder, Electric Eclectic.