Introducing the latest author to join our Electric Eclectic family, let’s give him a warm welcome.
Tony hails from Manchester, England, but has a touch of the ‘Wild Geese’ about him.
To serve his passion for travel, Tony has worked as an English teacher, Bartender, Taxi driver and, in southern Africa, on construction work in the Transvaal goldmines, and the copper mines of Zambia.
He spent a year as a Special Forces mercenary in Central Africa.
He is a keen outdoorsman, sailor, kayaker, and canoeist, he also loves hiking, back-country skiing, and snowshoeing, he now resides, alternately, in Chiang Mai, Thailand, and Ste. Adele, Quebec, Canada.
Three authors, I get to meet and talk to two of them. It soon becomes apparent that they wear many hats. Such as music, film, art, writing, design and the list goes on. What they have created in a three-way collab, is a fun ( I was laughing so hard) sci-fi romance. It’s light-hearted and easy to read. Love Hertz is available as audio, ebook and paperback. But that isn’t all. Watch this episode of Behind The Pen and meet these talented individuals and learn what they have planned for the future.
While this post focuses on writing blogs, website content, social media and emails rather than stories and books, much of the following could be adapted by authors and publishers of books.
As independent authors, our ability to write such is of paramount importance to our promotional and marketing strategy. Yet the way you write could be alienating those who are not quite as apt as you or me at reading.
A couple of years ago, I had a wonderful comment from a person who suffered from dyslexia about a post.
Although his comments were primarily about the content and not the presentation of the post, he mentioned he found my post far easier to read than many, if not most.
Curiosity got the better of me.
Why I wondered, could he read and understand my posts, when he struggled to read so many others?
Over the next few days, he and I conversed, by email, about his reading on a personal level and Dyslexia in general.
Before I carry on and explain the outcome of our conversations, I think as writers we should all know and understand what dyslexia and some of the most common reading difficulties are. So, I am including the following few paragraphs & bullet points, (which I cribbed from the internet), for clarity.
A formal definition of dyslexia used by the National Institute of Child Health and Human Development states,
“It is characterized by difficulties with accurate and/or fluent word recognition and by poor spelling and decoding abilities. These difficulties typically result from a deficit in the phonological component of language that is often unexpected in relation to other cognitive abilities and the provision of effective classroom instruction. Secondary consequences may include problems in reading comprehension and reduced reading experience that can impede growth of vocabulary and background knowledge. “
Unsurprisingly, the International Dyslexia Association defines it in simple terms. “Dyslexia is a language-based learning disability. Dyslexia refers to a cluster of symptoms, which result in people having difficulties with specific language skills, particularly reading. Students with dyslexia usually experience difficulties with other language skills such as spelling, writing, and pronouncing words.”
In contrast, Irlen Syndrome is a perceptual processing disorder, meaning that it relates specifically to how the brain processes the visual information it receives. It is not a language-based disorder and phonics-based instruction will not help someone with Irlen Syndrome improve in the same way it will help someone with dyslexia improve their reading skills.
At its core, Irlen Syndrome is a light sensitivity, where individuals are sensitive to a specific wavelength of light and this sensitivity is what causes the physical and visual symptoms that people with Irlen Syndrome experience.
People with Irlen Syndrome have difficulty reading not because their brains have difficulty connecting the letters they see with the sounds those letters make, but because they see distortions on the printed page, or because the white background or glare hurts their eyes, gives them a headache, or makes them fall asleep when trying to read.
Unlike dyslexia, difficulties experienced because of Irlen Syndrome can reach well beyond just reading. People with Irlen Syndrome have difficulty processing all visual information, not just words on a printed page, so they often have trouble with depth perception, driving, sports performance, and other areas not generally connected with dyslexia.
Alexia is a form of dyslexia, but dyslexia is developmental, meaning that it does not happen from an occurrence such as a stroke or traumatic brain injury.
Alexia is an acquired reading disability because of an acquired event such as a stroke. It is most common for alexia to be accompanied by expressive aphasia (the ability to speak in sentences), and agraphia (the ability to write).
All alexia is not the same, however. You may have difficulty with the following:
Recognizing words ● Difficulty identifying and reading synonyms ● Difficulty with reading despite your ability to sound out pronunciation of words.
Although you can read words, it is too difficult to read for very long ● Blind spots blocking the end of a line or a long word ● Focusing on the left side of the paragraph or page ● Double vision when trying to read ● Reading some words but not others. Of course, this makes reading impossible.
A stroke survivor with alexia that can read larger words, but cannot read tiny words such as “it,” “to,” “and,” etc. ● Any combination of some of these traits.
My conversations with, (I shall call him ‘Jay’ during this post), led me to take a close look at how I was presenting my blogs, what made them so different and, could I improve them further?
It turns out the style I chose… I was going to say developed, but that sounds arrogant. So, the style I was using at the time was to write in small(ish) chunks, using relatively short sentences and paragraphs, as I have so far in this post.
Unlike this following paragraph…
This differed from most blogs and posts on the interweb which were, (and still are), long blocks of continuous sentences and sub-sentences, forming large paragraphs with very little line spacing or breaks. This may be a ‘style’ welcomed by universities and those writing technical/medical/professional and some literary journals. I have seen many papers which follow this style. I have even read a few and I must agree it makes for extremely uncomfortable reading. To read such a document, one must concentrate fully and focus on each word of each line. Whenever the eye moves from its forced liner motion, even for a moment, is when the reader finds some difficulty in returning to the exact location they were at previously, often meaning one must, annoyingly, re-read sections already read. Like you have possibly just done when reading with this last long drivelling, over-worded paragraph I have written in just such a manner to illustrate my point that it makes for uncomfortable reading, even for those of us blessed with good eyesight and adequate skill. A point which I hope I have now made adequately clear with this paragraph which is representative of many blogs.
Writing in this form creates such a large block of words it becomes challenging to separate them into clear concise ‘bite-sized‘ and manageable ‘lots’ of information.
This is one of the areas of written presentation which was highlighted to me by Jay.
I already used a style of writing which broke long paragraphs into much smaller ones, whenever practicable, but I was not aware of the impact doing so made on the reader. From then on, I broke paragraphs down even further than I did ‘pre-‘Jay’
I was also made aware of unnecessarily long sentences, sentences with too many superfluous words.
This simply meant cutting out all those unnecessary words to make sentences read far more precisely and clearly.
Eliminating irrelevant words.
You see, this is not fictional or creative literature as when writing a novel, or even a short story. This is describing and sharing thoughts, ideas, information, and data. Another skill set entirely.
Authors often discover this when having to write a precise about their latest book, like the back-cover blurb, an agent’s query letter, synopsis, or copy text for promotional activity.
We all know, or at least should, that mixing sentence lengths makes for a better reading experience. But so does spacing and breaking them up as I have done in most of this post.
Please do not get me wrong.
I am not solely writing or directing my words specifically to those with reading difficulties, but I am looking to be as inclusive as possible and not simply because I am attempting to be politically, or socially correct.
I do it because I want as many people as possible to read my words. That is why I write.
Looking at how one presents their posts on the screen does not take much effort. Neither does adjusting one’s style to make it clearer and easier to read… for everybody, including you and me.
To finish, look at this Git-Hub virtual reality page. It shows how we can best comprehend the way those suffering from dyslexia and associated reading difficulties may see the written word.
My lesson, following those conversations with ‘Jay’, is,
“We can all learn from others, even those we may have previously considered had nothing to give us. After all, I never thought a dyslexic could teach an established author how to write clearer, even better.
How wrong I was.”
Thank you for reading another of my Ramblings. Please subscribe to this blog if you will.
I am open to all comments and try to reply to them all personally.
Despite shops being closed for much of 2020, figures show Britons bought books in volume – although many authors continued to struggle.
More than 200m print books were sold in the UK last year, the first time since 2012 that number has been exceeded, according to an estimate from official book sales monitor Nielsen BookScan.
Although physical ‘bricks & mortar’ bookshops in England were closed from 23 March until 15 June, and then again from 5 November until 2 December, with differing lockdowns in place around the rest of the UK – Nielsen has estimated that the volume of print books sold grew by 5.2% compared with 2019. This equates to 202m books being sold in the UK last year and was worth £1.76bn, up 5.5% on 2019, said Nielsen.
Waterstones, Kate Skipper called the figures encouraging. “So many people have turned to books for sustenance, information and joy through this difficult year.”
Physical retail and online retail have taken dramatically different paths during the pandemic. Well-established chains like Brooks Brothers, GNC, J. Crew, and Neiman Marcus have all made Chapter 11 filings, while Amazon, eBay, Walmart, and Target reported record sales.
While book publishing, generally, has performed strongly thus far during the pandemic, bookstores have not.
Despite much positive news around publisher net sales, the U.S. Census data show that bookstore sales declined 28.8% in October 2020 vs. 2019 and 31% YTD.
Through the summer of 2020, Barnes & Noble, like most independent booksellers, balanced opening restrictions against offering online order pickup and greatly expanded online sales. By late fall, cafe and magazine newsstand sales were still down significantly, but book sales were running ahead of a year ago, aided by a doubling in online sales.
COVID-19′s impact on publishing sales and the supply chain has been less than many feared it would be. Whatever doom and gloom surround the publishing industry during the COVID crisis, sales cannot be singled out for scorn. Trade sales in 2020 were almost uniformly ahead of 2019, and in several categories, unit sales were up over 20% through mid-December.
The ebook format has been to some extent reborn during the pandemic, recovering from shrinking percentages of overall sales, and publisher disdain for the format.
After years of spectacular sales growth, audiobook sales growth slowed significantly in 2019: 16.4% versus 34.7% in 2018, based on data from the Audio Publishers Association (APA). NPD Group reported that unit digital audiobook sales were up 15% through May 2020. The AAP calculated that downloaded audio sales were up 17.3% to the end of October.
In the library market, Overdrive, which had been seeing year-over-year growth in audiobooks, saw depressed audiobook adoption in the pandemic. A possible reason cited by the company: commuters who had been listening to books in the car (or on mass transit) were no longer going into the office.
ELECTRIC ECLECTIC asks…
Overall, the numbers are positive for audio; only the pace of growth is slowing.
Podcast consumption offers an interesting perspective on this data.
Spotify reported in July that in its second-quarter 21% of users were listening to podcasts, up from 19% in Q1. Overall consumption of podcasts more than doubled.
Podtrac recorded 47% download growth for the 52 weeks ending November 01, 2020.
Are these listeners being lured away from audiobooks? Or are podcasts just part of an overall burgeoning audio trend?
The pandemic has had an enormous impact on how publishing companies are staffed and how staff execute their work. And, by all accounts, that impact may mark a permanent shift in publishing workflows.
In early August, Penguin Random House confirmed it will not return to its offices “until sometime in 2021… or until it’s safe and it’s practical, whenever that may be.”
Also in August, Hachette CEO Michael Pietsch sent out a note that “we will not be requiring anyone whose work can be done remotely to return to any of our offices for the foreseeable future.”
Overall retail sales changed only slightly in 2020, but there were huge swings month-to-month. April sales were down 14.7% from March but were followed by an 18.3% jump in May. November retail sales dropped 1.1% from October but were up 4.1% from November 2019.
Book retail is a set of businesses. First, it’s both physical and digital. More than half of all book retail takes place online (with Amazon accounting for at least half of those sales). Physical retail, on its own, has several components, broadly speaking: chain bookstores, independent bookstores, big-box retailers like Costco, and “newsstands” at drug and grocery stores, airport stores, etc.
Then there is digital, capturing more than 10% of most book publisher sales, and the vast majority of self-publishing sales. Amazon controls at least three-quarters of that market.
The changes in the retail landscape speak volumes. (Pun intended).
On the one hand, from now on publishers must treat bookselling as online- and digital-first, physical-second, with no further questions asked.
Pre-COVID it was still valid for publishers to ponder “where does Amazon fit within our reseller channel strategy?”
The question henceforth is “how do our reselling channels align with an online-first strategy (particularly for Amazon)?”
…And the mouse in the corner might be heard to squeak “and what should we do about the bookstores?”
Although the sudden pandemic-driven shifts may slow or revert toward the mean with the achievement of a “new normal,” we believe that important underlying changes will persist and continue to evolve.
We are pleased to announce the winning authors of the Electric Eclectic Novella Fiction Prize.
The levels of entries were outstanding. Our judges, who ‘blind-read’ each manuscript had a most difficult task in selecting the winners.
After much lip chewing, hair pulling, and brainstorming we managed to select a shortlist, and then whittle the submissions down to the final three.
1st Place, Stevie Turner with, ‘Scam!’
Runner-up, Jonathan Koven, with, ‘Below Torrential Hill’
Runner-up, Phillip T Stephens with, ‘Doublemint Gumshoe’
The above stories are now in the process of becoming Electric Eclectic books.
Lauren West and Ben Hughes are saving frantically for their forthcoming marriage and mortgage deposit. When Lauren sees an advert online from a firm of brokers extolling the profits to be gained by buying and selling Bitcoins, she is interested enough to pursue it further.
Lauren clicks on the advert. She is soon contacted by Paul Cash, a knowledgeable stockbroker whom Lauren trusts straight away. He is affable, plausible, and seemingly genuinely interested in her welfare. Lauren looks forward to making enough money to be able to surprise Ben and bring the date of their wedding forward and to put a deposit down on their ideal house.
However, things don’t go quite to plan, as Lauren falls victim to a scam and loses £10,000 of their savings. Ben is furious. Paul Cash threatens their safety, and Lauren must try and get her marriage back on an even footing if she wants to win back Ben’s trust.
(To be published by Crimson Cloak Publishing for Electric Eclectic)
Below Torrential Hill
Tristen’s abusive father dies when Tristan is young: a suicide. Tristen’s mother, Lucy, copes with alcohol, occasionally violent. Tristen grows up, ignorant to his father’s abuse, substituting for an ill-equipped mother. Stepfather Lave moves out.
When Tristen is sixteen years old. A comet appears.
Lucy hears voices calling from the sink. Tristen steals his mother’s wine and leaves to a neighbourhood party, blacks-out, and argues with his friend Ava.
He chops a Christmas tree in the woods which his father frequented. After a disastrous visit from his stepfather, an argument ensues, and Tristen is assaulted by his mother.
Tristen gets far too drunk, scaring Ava. She manages to calm his temper and gifts him a marijuana joint.
Lucy discovers Tristen’s theft and reveals to him his father’s abuse, asking him to help her.
But he runs into the woods, falling off a cliff, just as his late father did. Tristen discovers a fallen meteorite. When he touches it, he experiences an epiphany about forgiveness.
Doublemint Gumshoe pits the world’s dimmest detective against its most advanced AI.
When a nano robotics engineer who moonlights as a nude model vanishes from her hotel room leaving nothing but empty gum wrappers, Detective Bob takes the case. But Bob has never closed a case in his long career, and the citizens of San Noema conspire to stop him from solving this one.
Pitted against a dying mob boss, a corporation with wide-reaching tentacles, a ruthless cyber gang, his own family (whose nepotism secured his job), a jealous girlfriend, aliens, competing narrators, and possibly an evil AI from the future, Bob is determined to find the missing girl who has captured his heart, and do it in fewer than 30,000 words. Gumshoe takes readers on a supercollider ride, sending up Thomas Pynchon, Kurt Vonnegut, conspiracy theories, postmodernism, and even the movie Chinatown.
All of us here, at Electric Eclectic, congratulate the competition winners and eagerly await the publication of their books.
You can find more Electric Eclectic books by simply typing ‘Electric Eclectic Books’ into your Amazon search bar, or by visiting @open24, the amazon store for readers & writers, http://bit.ly/EEbooksonOPEN24
The Electric Eclectic Novella Fiction Prize opened for submissions back in February 2020, just before Covid interrupted our lives.
The pandemic delayed the judging by a few weeks but now can now reveal the titles and authors who have made the shortlist.
The following manuscripts are now with Crimson Cloak Publishing of Missouri, USA who will be selecting the winning entry, while Electric Eclectic are choosing the two runners up.
The shortlist is as follows, (in no particular order)
Jenifer Dunkle with ‘Aunt June’
Jonathan Kovenwith ‘Below Torrential Hill’
Kaare Troelsen with ‘Equilibrium’
Philip T Stephenswith ‘Doublemint Gumshoe’
Stevie Turnerwith ‘Scam!’
Wesley Britton with ‘The Wayward Missiles – A Beta-Earth Chronicles story’
Wilma Hayeswith ‘Power of Women’
Providing we have no further setbacks, lockdowns, etc. Electric Eclectic plans to announce the winners late May 2021.
While you are awaiting the final results, why not grab yourself a copy of an Electric Eclectic book and enjoy the read; you can find Electric Eclectic books by simply entering ‘Electric Eclectic books‘ into your Amazon search bar.
We are into the second year of the Covid-19 pandemic. It’s been a tumultuous year as we adjusted to a new vocabulary; masking, social distancing, quarantine. Yes, we’ve heard those words before. We read them in books, maybe, heard them in movies or on television dramas. Now the words were a part of our daily conversations.
I have been out of my house less than twenty times in the past fourteen months. I have seen my children and grandchildren less than that.
I have learned a valuable lesson, and it came as a shock.
I’ve always been something of a loner or homebody. Many would disagree with that assessment. I like people, but I love my own space. Being stuck at home shouldn’t be a problem for me. Generally, that’s true. However, this super social distancing reached a peak a few months ago.
I’ve always committed to writing at least two thousand words a day. That’s what Stephen King does, and if it’s good enough for him, it’s certainly good enough for me.
When staying home was recommended by health officials, I believed this would afford me more time to write. I might double my daily word count. I had several unfinished works, and this would provide the ideal opportunity to whip them out.
Why, I might even finish them all before the quarantine ended!
As the weeks passed into months, I found I was writing less, not more. I would sit with my trusty laptop and read over what I had written the day before. Pages became paragraphs. I would have an idea of what I wanted to write, but I couldn’t get my motor going.
It wasn’t until last month that I realized I hadn’t written anything in over three weeks. I’d edited projects I was working on for others. But I didn’t have a word of my own to show. What was happening? Was this writers’ block?
Somewhere in my ruminations, I recalled something one of my English professors told us. He advised we carry notebooks (this is pre-tech days when pen and paper were the methods of the day) and write down bits of conversations we overheard, descriptions of people we encountered, or places we saw.
I’m a writer and much of my writing draws on outside sights and sounds. My imagination may turn everyday events and conversations into more elaborate (and often disturbing) experiences.
A writer needs a good imagination. A writer also needs to see, hear, smell, taste, and feel the world outside her head. Being cut off from the sounds of busy streets, rolling waves, crunching leaves, bits of conversations, and other real-life noises removed them from my conscious and then my subconscious.
Living inside, I missed the end of one winter, the bright colors of spring, summer heat, the crispness of fall, and another winter.
I missed Valentine’s dinner at our favorite restaurant with my husband, watching my grandchildren hunt for Easter eggs in the grass that was beginning to green. There was no giggling and splashing in the backyard pool, no picnics at the lake where the sounds of motorboats cut the air, no weekend at a cabin for our anniversary.
The pumpkin farm and haunted trails never happened. No big family Thanksgiving dinner where everyone brought a dish to share. I did my Christmas shopping online without the hustle and bustle of crowds, both joyous and stressed.
I don’t know about other authors, but this writer cannot write in a vacuum. I need to smell the change in the air as seasons drift one into the other.
I need to hear snippets of conversations and build a story around an innocuous remark I overhear in the supermarket or restaurant.
It seems, things are beginning to loosen up. I’ve gotten my Covid-19 vaccinations. I will still double mask and be responsibly socially distant. But I feel safer venturing out into the world where my inspirations are waiting.
Somewhere a woman is complaining about the price of milk, a man is discussing a sporting event, teenagers are giggling at a TikTok video.
Tomorrow the sun will rise over a late winter day, and spring will beckon me to go out and play, to smell the freshness of growing grass, to see the heads of flowers forcing their way through the rich soil.
And I will once again begin to weave commonplace occurrences into tales.
In fact, I think I have an idea tickling the back of my mind now.
I first published this post, or a version of it, back in 2015 on my blog, ‘Ramblings from a Writers Mind‘. I share it here today because… well, read on, it is self-elucidating.
Ex Libris Legatum
As we age we amass many life skills; some taught to us by teachers, lecturers, professors, our parents and some self-learned by patient practice and repetition.
Many lessons are simply and, often unexpectedly, thrust into our consciousness by the events of living and from life itself, love, passion, loss, hurt, births, pain, grief and death.
At some point, during the period betwixt being born and gasping our last breath, we have also, hopefully, gained some wisdom.
Although, only too often, such wisdom is realised and recognised far too late in life for us to use it in any true and meaningful way for any length of time, such is the cruel nature of growing older.
However, for those who manage to avoid a premature departure from this world, those who never got hit by lightning or run over by that proverbial trolley bus, we become, in some respects, like a soggy sponge.
Yes we droop, our bodies are dragged ‘south’ by the constant pull of gravity and some people uncontrollably leak and dribble I am sure, but the analogy I was trying to draw was one of absorption and storage, the soaking-up and retention of knowledge.
I know, for a fact, I know more than I know I know, even if in that knowledge there is the realisation of knowing that one knows nothing.
With that stated clearly, I will return to the train of thought which initiated my fingers to start tapping away today; that is, within these southerly wiltings, the rather wrinkly, fading bodies which those ‘of a certain age’ seem to acquire, are still our sprightly, lively young minds which have seldom aged beyond fifteen… or maybe sixteen.
Now… these minds of ours need a little control. You see, our minds tend to fool us by considering whatever they think we, (those of us who are over 50 something) still have the physical ability to achieve such things as skateboarding, zip-lining, mountaineering and even imbibing in large quantities of alcoholic beverages and waking in the morning with a clear head… hummph… I wish.
The reason our minds ignore our creaking joints, throbbing tendons and our scar tissues, (which pull as taught as an elastic band every time we move like this… ouch… I should not have done that), is once-upon-a-time we have done all of those things; the once-upon-a-time when our mind was in its infancy and knew little of risk or fear and cared less, our mind (mostly) protected us from going too far; well far too far, too often.
It was during all those life-threatening adventures, (those naughty and dangerous liaisons, the arguments and battles, the fights and flights our immature brains took us on), we collected lots and lots of information, comprehension, realisation, skills and familiarity.
In other words, we gained awareness, understanding and experience, this is how we became educated and intelligent, this is what gives us an erudition of life.
It is what we loosely and casually refer to as wisdom and knowledge.
These are the life skills one collects in the only way possible, by living over a long period, or at least the longest period time allows our weak and feeble bodies to function.
You see, I have out-lived many thousands of others over the years I have been walking upon this earth, (which, thankfully, I can still do… unaided).
I am glad I saw the sunrise this morning, the sad thing is so many did not.
Many of those who never got to see the sunlight today are friends and family, many older than I, many younger. Worst of all, some had only minutes of life with which we could chart their age.
The fact is the number of people who are older than I is quickly diminishing.
Now my mourning’s are frequently for those of my generation, a generation who should use their life skills and knowledge to help and nurture those who are young enough and fortunate enough to have minds which believes it is protected by an invincible body, such as our own did all those years past.
All we have learned of life and living; those births we have witnessed, our loves, both lost and lasting. The passionate moments, some intimate, comprised of twisting limbs and thrusting loins, others of the soul; music, art, theatre, dreams and scenes, vistas of natural beauty. The recollection of our times of loss, of hurt, of feeling pain; both physical and of the heart, not forgetting the grief and deaths.
This is our accumulated wisdom.
This is what we should share, what we should endeavour to teach our children, our children’s children and their children.
‘Ahh’, I hear you say, but children do not listen, do not take heed, so it is best to leave them to find their way.
I do not disagree.
However, (which is a nicer way to say but because there is always a ‘but’.)
If we share our knowledge, leave it somewhere future generations can discover it, they can learn, or at least be guided by that which we have spent a lifetime accumulating.
This is why I believe I have a duty to leave my thoughts behind when I have gone when I have shuffled from off my mortal coil.
This is why I choose to write.
Woven within the lines of my fiction and on the pages of my fantasies are the truths of life and the facts of living. All the wisdom and knowledge I accrued during my lifetime.
The words within my books and short stories are my bequest to the world, to a future I cannot be a part of, at least in person.
I chose to be a writer, not for monetary wealth or recognition, but to leave a legacy beyond simplistic values.
My wish is my words are read by the generations yet to come.
Maybe then my life will not have been lived in vain.
Today, as its Electric Eclectics third birthday, (hip hip hooray), rather than post about books, or writing, or authorship, or ‘being Indie’, I thought I would share a useful tool with you.
It is one I often use when communicating ‘overseas’ via the ‘net’.
I am sure you will find it as useful and as helpful as I…
As the founder of Electric Eclectic, part of my job is to keep in contact with our authors, which is not as easy as it might appear.
One of the main reasons is, Electric Eclectic authors are dispersed around the world, from the USA, through Europe, right to the Antipodes, which means there is no suitable panoptic time to engage with everyone simultaneously.
Okay, there is UTC – Universal Time Coordinated, which is another term for GMT – Greenwich Mean Time. It has nothing to do with Greenwich village and everything to do with Greenwich in the UK, which is on the Zero Meridian, that’s 0° longitude meridian, also known, unsurprisingly as the Greenwich Meridian.
Now, to have a standardised time the whole world can utilize when communicating, especially when using the internet or worldwide web sounds a great idea… but for a few issues.
One is DST – Daylight Saving Time, or in the UK, BST – British Summer Time, (Other countries have various terms for the same thing), it is where the clocks are advanced for one hour in the spring.
The other is Local Time. Knowing which Local Time Zone you are in.
Considering the USA has 9 time zones, Canada 6, Europe 7, Asia 11, Russia 11, China 5, Australia 3 and New Zealand 2, you can see arranging an inclusive scheduled event on a global scale is not as easy as it may first appear.
I often query those who create Facebook events without considering the above. Those who do so are surely naïve if they do not understand the importance of looking further afield than their backyards?
Therefore, to schedule a live global meeting between, say, seventeen authors, who reside over four continents needs to be planned carefully.
One tool I have found to be immensely helpful is World Time Buddy https://www.worldtimebuddy.com/ Here you can see your time and those of locations you select so you are in no doubt of what time it is, anywhere.
The ‘Event Widget’ is an excellent tool, schedule your event using the Widget and all those using World Time Buddy will have the time automatically displayed in your time AND there local time… you need do nothing, its automatic.
Bookmark ‘World Time Buddy’ now. There is even a mobile/cell app for Android and Apple.
Better still, the basic mode is FREE. (Paid upgrades available).