We are delighted to announce that our author C A Keith got married on Monday 24th May 2021. The wedding took place in the stunning setting of a Florida Beach.
Unfortunately, some of her family were unable to join them as they live in Canada and they are on full lockdown. However, one son, his wife, and many friends all attended the happy occasion.
Before the ceremony they went to a Puerto Rican restaurant to dine first. They picked a quiet spot on the beach and watched a spectacular almost-full moon rising to one side just as the sun was setting on the other. Her friend read out the vows, and it was just magical, she told us.
Afterwards they all went to the Pizza Parlour she runs with her son for wine and cake. Her son, his wife and a number of friends are all deaf, but that didn’t stop them, and everyone enjoying the dancing afterwards.
‘It was truly a dream come true,’ she finished. And judging by the photographs they would be worthy of any romantic novel.
We are sure you will join us in wishing Charlotte, and her new husband Wally, the very best for their new lives together as a family because she is now a mother of two young son as well.
Meanwhile, you may want to enjoy the stories Charlotte has written for Electric Eclectic books.
Coming soon to Electric Eclectic books is the first of a trilogy featuring Cassie Newbold, a clairvoyant and empath. The first book, this one, will be available soon for pre-order. Meanwhile, we do have some ARCs (Advanced Readers Copies) to give out in exchange for a review. If you are interested, contact me here by email.
Description (subject to change)
Cassie, a clairvoyant and empath, is asked to help her brother, a detective, to find a killer. Following in the footsteps of where a woman’s body is found, Cassie sees and feels him. Imagine her shock when a few days later he walks into the café she is in.
Waiting for Seb to arrive, and a confrontation she shouldn’t have started, the killer leaves. Despite being told not to, she follows him and almost becomes his next victim.
At one of her clairvoyant sessions, Pedro comes looking for his missing sister, but Cassie is unable to help him and they date instead.
When the killer is apprehended, Cassie sits in on the interview and realises that Chantelle, Pedro’s sister is also his victim. He is desperate for news, but she cannot tell him she is involved for fear of damaging their relationship. Unfortunately, Cassie hadn’t counted on his mother for doing that.
After a startling revelation, the hunt for Chantelle becomes even more urgent. Can she read the signs presented to her, and find the place Chantelle is hidden?
I haven’t perfected the description as yet, but this will give you a taster of what the story is about. It will change as it goes through the editing process.
My blood ran cold. It was the man on the heath. Older and jowlier than I had envisioned, neither had I seen his pot belly. There was a similarity to the drawing, but not enough to be a good likeness.
I shook my head in response to his question, feeling too stunned to speak. How could this be possible? Here, of all places?
His forehead jutted out and his hair was side parted, hanging scruffily over his face. A nose that was pointed, and jowls that wobbled round his double chin. His features were more pronounced than I had described.
Pulling out my phone, I selected my brother’s name and listened to it ringing. “Cassie,” he answered on the fourth ring. “I’m just in the middle of something—”
How could he sit there drinking coffee as if he had not a care in the world?
“I’ve got him,” I whispered, my hand cupped over the mouthpiece, cutting him off before he hung up on me.
“Got who?” His voice was suddenly alert.
“The man from the heath.”
Staring at the side of his head, I could not take my eyes from him, still unable to fathom how ordinary he looked when he carried such a dark secret. I had expected him to look like the monster he was.
Although this is, at times, a dark a story. I have also included touches of humour, like the time Cassie gets caught in a compromising position by the mother of her boyfriend. And not for the first time.
“You can stop that right now!” A shrill voice crashed into us, throwing us apart guiltily. His mother was standing in the doorway looking at us, and for a fraction of a second her eyes were on my chest. Once more she captured me in a compromising position. I felt like a child being caught doing something I shouldn’t. What is it with this woman? Couldn’t she have just waited until we returned? For pity’s sake!
We are into the second year of the Covid-19 pandemic. It’s been a tumultuous year as we adjusted to a new vocabulary; masking, social distancing, quarantine. Yes, we’ve heard those words before. We read them in books, maybe, heard them in movies or on television dramas. Now the words were a part of our daily conversations.
I have been out of my house less than twenty times in the past fourteen months. I have seen my children and grandchildren less than that.
I have learned a valuable lesson, and it came as a shock.
I’ve always been something of a loner or homebody. Many would disagree with that assessment. I like people, but I love my own space. Being stuck at home shouldn’t be a problem for me. Generally, that’s true. However, this super social distancing reached a peak a few months ago.
I’ve always committed to writing at least two thousand words a day. That’s what Stephen King does, and if it’s good enough for him, it’s certainly good enough for me.
When staying home was recommended by health officials, I believed this would afford me more time to write. I might double my daily word count. I had several unfinished works, and this would provide the ideal opportunity to whip them out.
Why, I might even finish them all before the quarantine ended!
As the weeks passed into months, I found I was writing less, not more. I would sit with my trusty laptop and read over what I had written the day before. Pages became paragraphs. I would have an idea of what I wanted to write, but I couldn’t get my motor going.
It wasn’t until last month that I realized I hadn’t written anything in over three weeks. I’d edited projects I was working on for others. But I didn’t have a word of my own to show. What was happening? Was this writers’ block?
Somewhere in my ruminations, I recalled something one of my English professors told us. He advised we carry notebooks (this is pre-tech days when pen and paper were the methods of the day) and write down bits of conversations we overheard, descriptions of people we encountered, or places we saw.
I’m a writer and much of my writing draws on outside sights and sounds. My imagination may turn everyday events and conversations into more elaborate (and often disturbing) experiences.
A writer needs a good imagination. A writer also needs to see, hear, smell, taste, and feel the world outside her head. Being cut off from the sounds of busy streets, rolling waves, crunching leaves, bits of conversations, and other real-life noises removed them from my conscious and then my subconscious.
Living inside, I missed the end of one winter, the bright colors of spring, summer heat, the crispness of fall, and another winter.
I missed Valentine’s dinner at our favorite restaurant with my husband, watching my grandchildren hunt for Easter eggs in the grass that was beginning to green. There was no giggling and splashing in the backyard pool, no picnics at the lake where the sounds of motorboats cut the air, no weekend at a cabin for our anniversary.
The pumpkin farm and haunted trails never happened. No big family Thanksgiving dinner where everyone brought a dish to share. I did my Christmas shopping online without the hustle and bustle of crowds, both joyous and stressed.
I don’t know about other authors, but this writer cannot write in a vacuum. I need to smell the change in the air as seasons drift one into the other.
I need to hear snippets of conversations and build a story around an innocuous remark I overhear in the supermarket or restaurant.
It seems, things are beginning to loosen up. I’ve gotten my Covid-19 vaccinations. I will still double mask and be responsibly socially distant. But I feel safer venturing out into the world where my inspirations are waiting.
Somewhere a woman is complaining about the price of milk, a man is discussing a sporting event, teenagers are giggling at a TikTok video.
Tomorrow the sun will rise over a late winter day, and spring will beckon me to go out and play, to smell the freshness of growing grass, to see the heads of flowers forcing their way through the rich soil.
And I will once again begin to weave commonplace occurrences into tales.
In fact, I think I have an idea tickling the back of my mind now.
A strange city is a big, lonely place when you do not know your way around and you do not know a single soul who lives there.
The city seems even bigger when it is in a foreign land; the buildings, the roads are so different to that which you are familiar, as are the signs; thousands and hundreds of signs on the street, in the shop windows, the stations, on buses and lorries and hoardings.
All in a language you do not know.
This is where I am, in a strange city, in a foreign land. All those signs meant nothing to me; besides spouting my own imaginative gibberish gobbledygook, which besides entertaining my mind, said nothing constructive.
It is a strange experience, both fascinating and frightening.
I needed to be at the public telephone box, situated near a café called ‘Rosy Lee’, in Richmond Park Gardens, a municipal park and flower garden, at eleven o’clock this morning.
She said she would ring, call me there. If I did not show up, she would understand, move on, get on with her life and put ‘us’ behind her.
But I did not want her to move on, not without me by her side.
That is why I am here, in this city. I have to say sorry, to beg for her mercy. I need to admit my foolishness. I want to tell her I still love her, love her more now than ever before.
If I miss her call, if I did not answer the telephone, I may never see her again.
This is why I am getting annoyed, frustrated and so damned worried.
I do not know where Richmond Park Gardens are and nobody I try to ask will stop. Most are too busy rushing to wherever they are rushing to. The few who do halt their stride take off again as soon as I speak.
No one, it seems speaks Islenska in this city and I do not speak more than a few word of English, clearly all so badly pronounced to be incomprehensible.
This scrappy bit of note paper I have in my hand, the one with the diagram, the map of how to get to the park is creased, smudged and torn. The written directions almost illegible, even if they were not I have no idea where I am, which way is north or south or which will take me towards the Richmond Park Garden.
The clock is ticking, my hopes and dreams and my future slowly evaporating before me. Still, no one gives me a second glance. No one will spare a few moments to help.
Until the young girl, I guess she is a student, takes the scrappy, ill-drawn diagram from my hand.
I speak, but she just shakes her head and shrugs. I know she is saying “I don’t understand you”. So, I spread my hands and shrug back.
We smile at each other. Understanding.
The young girl looks at the drawing, squints, looks about her, first one way and then the other. She nods and smiles. Waving her hand, she beckons me closer. Until we stand shoulder to shoulder, facing the same direction.
She then signals forward by pointing straight ahead, then left, right and so on. I nod and smile back in reply.
This is a language we both understand.
She passes me the paper back. I glance at my watch. The girl holds her hand up again, fingers spread open. ‘Five’ she is telling me, five minutes.
I shake her hand, nod… it is almost a bow. I can feel my grin stretching across my face, from ear to ear. If I hurry I can still make the park by eleven o’clock.
I glance back. The girl is still standing in the same spot. She raises her hand and waves. I wonder if she knows, if she has a sense, a feeling of my anxiousness, my distress?
Maybe she knows of my love and of my fear of losing it, of losing my girl? Maybe she could feel my heart pounding, aching.
I like to think so.
I like to think she derived some satisfaction from helping a stranger in a personal crisis. I also like to think someone, sometime will smile upon her, in her hour of need.
I see the phone box. It is right there next to the tables and chairs of the ‘Rosy Lee’ tearooms, just as explained in the note. An English telephone box, bright red, blood red.
The red of love and life and loss.
At least it is empty. At least no one is making a call.
I glance at my watch. It is three minutes past the hour. I pray I am not too late.
I go inside. The door slowly squeals as it closes, shutting the noise and the entire world out of my life. There is now only my pounding heart, beating, pounding, counting down the moments.
All I can do is wait.
Wait for the phone to ring.
Wait to hear her voice.
I can feel tears welling in my eyes.
I wipe them away, sniffing.
The kiosk door is pulled open, arms grab me, encircling my waist.
I smell her perfume.
“Ég hélt að ég myndi koma þér á óvart,” segir hún.”
I first published this post, or a version of it, back in 2015 on my blog, ‘Ramblings from a Writers Mind‘. I share it here today because… well, read on, it is self-elucidating.
Ex Libris Legatum
As we age we amass many life skills; some taught to us by teachers, lecturers, professors, our parents and some self-learned by patient practice and repetition.
Many lessons are simply and, often unexpectedly, thrust into our consciousness by the events of living and from life itself, love, passion, loss, hurt, births, pain, grief and death.
At some point, during the period betwixt being born and gasping our last breath, we have also, hopefully, gained some wisdom.
Although, only too often, such wisdom is realised and recognised far too late in life for us to use it in any true and meaningful way for any length of time, such is the cruel nature of growing older.
However, for those who manage to avoid a premature departure from this world, those who never got hit by lightning or run over by that proverbial trolley bus, we become, in some respects, like a soggy sponge.
Yes we droop, our bodies are dragged ‘south’ by the constant pull of gravity and some people uncontrollably leak and dribble I am sure, but the analogy I was trying to draw was one of absorption and storage, the soaking-up and retention of knowledge.
I know, for a fact, I know more than I know I know, even if in that knowledge there is the realisation of knowing that one knows nothing.
With that stated clearly, I will return to the train of thought which initiated my fingers to start tapping away today; that is, within these southerly wiltings, the rather wrinkly, fading bodies which those ‘of a certain age’ seem to acquire, are still our sprightly, lively young minds which have seldom aged beyond fifteen… or maybe sixteen.
Now… these minds of ours need a little control. You see, our minds tend to fool us by considering whatever they think we, (those of us who are over 50 something) still have the physical ability to achieve such things as skateboarding, zip-lining, mountaineering and even imbibing in large quantities of alcoholic beverages and waking in the morning with a clear head… hummph… I wish.
The reason our minds ignore our creaking joints, throbbing tendons and our scar tissues, (which pull as taught as an elastic band every time we move like this… ouch… I should not have done that), is once-upon-a-time we have done all of those things; the once-upon-a-time when our mind was in its infancy and knew little of risk or fear and cared less, our mind (mostly) protected us from going too far; well far too far, too often.
It was during all those life-threatening adventures, (those naughty and dangerous liaisons, the arguments and battles, the fights and flights our immature brains took us on), we collected lots and lots of information, comprehension, realisation, skills and familiarity.
In other words, we gained awareness, understanding and experience, this is how we became educated and intelligent, this is what gives us an erudition of life.
It is what we loosely and casually refer to as wisdom and knowledge.
These are the life skills one collects in the only way possible, by living over a long period, or at least the longest period time allows our weak and feeble bodies to function.
You see, I have out-lived many thousands of others over the years I have been walking upon this earth, (which, thankfully, I can still do… unaided).
I am glad I saw the sunrise this morning, the sad thing is so many did not.
Many of those who never got to see the sunlight today are friends and family, many older than I, many younger. Worst of all, some had only minutes of life with which we could chart their age.
The fact is the number of people who are older than I is quickly diminishing.
Now my mourning’s are frequently for those of my generation, a generation who should use their life skills and knowledge to help and nurture those who are young enough and fortunate enough to have minds which believes it is protected by an invincible body, such as our own did all those years past.
All we have learned of life and living; those births we have witnessed, our loves, both lost and lasting. The passionate moments, some intimate, comprised of twisting limbs and thrusting loins, others of the soul; music, art, theatre, dreams and scenes, vistas of natural beauty. The recollection of our times of loss, of hurt, of feeling pain; both physical and of the heart, not forgetting the grief and deaths.
This is our accumulated wisdom.
This is what we should share, what we should endeavour to teach our children, our children’s children and their children.
‘Ahh’, I hear you say, but children do not listen, do not take heed, so it is best to leave them to find their way.
I do not disagree.
However, (which is a nicer way to say but because there is always a ‘but’.)
If we share our knowledge, leave it somewhere future generations can discover it, they can learn, or at least be guided by that which we have spent a lifetime accumulating.
This is why I believe I have a duty to leave my thoughts behind when I have gone when I have shuffled from off my mortal coil.
This is why I choose to write.
Woven within the lines of my fiction and on the pages of my fantasies are the truths of life and the facts of living. All the wisdom and knowledge I accrued during my lifetime.
The words within my books and short stories are my bequest to the world, to a future I cannot be a part of, at least in person.
I chose to be a writer, not for monetary wealth or recognition, but to leave a legacy beyond simplistic values.
My wish is my words are read by the generations yet to come.
Maybe then my life will not have been lived in vain.
Deep Waters is the latest Electric Eclectic book, and the first new release of 2021.
For Deep Waters, Paul White has taken a totally different approach from his last offering, the superb, gritty and surprising crime drama,‘A New Summer Garden‘.
With Deep Waters, we follow the main character, Gary, as he struggles to come to terms with the death of his beloved wife.
After a failed suicide attempt, Gary take himself off to an isolated island, far away from the distractions of daily life and the people he knows, as kind and as helpful as they try to be.
This touching and emotional tale allows privileged insight into Gary’s mind as he stumbles onward through life and unveils an understanding of why he chose this island to execute his last wishes.
Electric Press magazine says,
Deep Waters in available in both eBook format, and as an Electric Eclectic Pocketbook Paperback
“…My first thought, rather obviously, was to name the boat Francis, after my deceased wife, bless her soul.
But then, I felt it was not the right thing to do. Francis had never been here, never been to the island. Neither of us knew this place existed before, before… now, which was part of the reason I came here. To get away from those haunting memories, as callous as it may seem.
You see, that is what life is all about, the memories. The memories of shared experience. The things you do with family, mum, dad, siblings. The adventures with friends and, of course, all the things you do, all the places you go, all the battles you fight and all the little victories you celebrate with your lover, your soulmate, the one you wish to grow old with.
Francis was my soulmate. It was the memories we shared from the life we were building together which haunted me now.
Don’t get me wrong. I did not want to forget. I do not want to erase them from my mind, but neither did I want to be reminded of every detail each time I walked into a room or got onto the boat.
I want to remember Francis when I want to recall her voice or touch or tell a story about her antics. I want to remember her on my terms, not as just some random flashback.
November 19th is, believe it or not is World Toilet Day. Who’d have thought that was a thing?
How often do you nip to the toilet?
No, don’t answer that, it was one of those rhetorical questions. Just think about it for a moment. It’s a normal part of our day. We all talk about it to each other and it’s as natural as talking about what you are going eat.
Has it ever occurred to you that your favourite TV characters rarely goes for that natural break? Neither do the book characters. Why? How many times do you say to the person you are with, “I just got to wee.”? Or whatever terminology you use.
I read a book where the hot male lead eventually finds the female he’d been searching all day for. Does he say something worthy when he finally locates her? No, the first thing out of his mouth was: “I gotta take a piss.” He then disappears into the bathroom as she waits with bated breath for why he has come. I loved him for that. Considering this man had travelled a long way, this was likely outcome. Yet normally its a fact generally ignored. Well done to that author for bringing in a little realism.
In another book, the women is and escaping her lover’s bed went to sit on the toilet to contemplate for a while. That works. That’s normal, too.
Having thought about this, I went into overdrive as a scene played out in my mind. It went like this:
The beautiful girl lies across the bed in her bra and briefs. Her hair cascades over the side, flowing to the floor. She is waiting for her lover to return.
He opens the bathroom door, his hair falling slightly over his chiselled features. He’s wearing a white vest which is pulling taut over his ripped torso. Boxers show off his strong sturdy legs.
The toilet is still flushing behind him. He’s been in there at least five minutes. A smell follows him out…..
What? It’s natural. It’s what happens, except it doesn’t really work. It’s not necessary. It’s what our boyfriends and husbands do in real life. We want escape, not normality!
So yes, it’s okay for our characters to nip to the toilet. It’s real.
Now, I’m going take it one step further. How many times do you or someone around you fart? No, don’t answer that either.
I’ve read hundreds of books and only in one did it happen – The girl lay under a tree with her boyfriend. They were talking and laughing together. Suddenly she let out a little lady fart (is there such a thing?) And that was it. Never was it mentioned again.
Have you ever read erotica? All the wet slapping sounds make me wonder what’s the difference? Anything and everything goes these days, so it’s only a matter of time before natural functions are included.
So let’s keep our writing real and know our own boundaries. How far would you go to keep realism alive? How far does a reader expect an author to go?
I wanted to make an example and use a ‘toilet scene’ in one of my books and make it real. It isn’t crude, but everyone farts, right?
In The Ghost on the Stairs, I experimented and wrote a scary book, but I couldn’t help myself. My stories tend to be a mixture of things, just as life is. Life might be scary, but its also humorous. So my toilet scene is very funny because there is nothing better than to embarrass your main character!
Am I wicked? Yes!
When a good-looking guy walks into a café and asks for you by name, you sit up and take notice. Cassie is instantly attracted to Damien Mathers, who is also a World Super Bike Champion. He needs her help to banish a ghost. That is not what Cassie does but Damien is very persuasive!
The Ghost on the Stairs takes clairvoyant Cassie on a journey she won’t forget. It leaves her unnerved and scared—not because of it, but what it unleashes within her.
Damien doesn’t believe in the paranormal until he witnesses something he can’t explain. He is falling for Cassie but how can he love her dark side, too?
Can Cassie hold on to Damien? Can she banish the ghosts and save her relationship?
When a good looking guy walks into a café and asks for you by name, you sit up and take notice. Cassie is instantly attracted to Damien Mathers, who is also a World Super Bike Champion. He needs her help to banish a ghost. That is not what Cassie does but Damien is very persuasive!
The Ghost on the Stairs takes clairvoyant Cassie on a journey she won’t forget. It leaves her un-nerved and scared – not because of it, but what it unleashes within her.
Damien doesn’t believe in the paranormal, until he witnesses something he can’t explain. He is falling for Cassie but how can he love her dark side, too?
Can Cassie hold on to Damien? Can she banish the ghosts and save her relationship?
‘Karen J Mossman manages something quite unique. This is a story that will make you laugh and scare you.
This is the sixth chilling novel in the Pseudoverse
Detective Lori Lynn Gutierrez, and former journalist Amanda Sese, both poisoned in Onyx and “recruited” by the NIB, have their work cut out for them as they are pulled into the biggest gun battle the nation has ever witnessed.
An America divided is on the verge of a New Civil War over weapons that never need reloading while pushing the 2nd Amendment to its limit.
Filled with brand new characters, a “Shadow Government” attempting to take control of your life, and a hypersexual ex-military Major turned mercenary at the helm, Chrome is a non-stop action-packed conspiracy you will never forget.
This novel is rated ‘MA.’ It contains sex, drugs, mind-control, Taco Bell, crooked politicians, a Charger that can climb walls, a Viper with its own arsenal, great music, and a proud police detective whose partner who went from reporter to super sniper.
This novel also contains words you never want to hear come out of your mother’s mouth and images your brain will never forget.
“All characters are real people. Just like the music is real, so is every person who is a main or secondary character (antagonist or protagonist).
Read the thank you at the end to find out who everyone might be.
I find this unique quality to be the biggest winner of the novels. Blade also has the real people, or someone close to them should they already be resting in peace, write the foreword.
I am one to read forewords, but being a teacher for 20 years, I know what a drag they can be for the non-reader or the Escapist reader: Let me get to the good stuff… Well, these forewords are not to be skipped. Chrome and Onyx will tear your heart out, flip it around, and shove it back in upside-down. They are a must read from a character in the novel. Blade works hard (pesters…) to know his characters to portray them as accurately as possible. He does a bang-up job.
The classy touch of the Chrome Foreword just says it all for CG Blade.”
Kate D. Amazon Review
Chrome is homage to Law Enforcement across the nation, our brave and wonderful men, and women that put their life on the line for us every day.
Viewer’reader discretion advised. Check out the sneak peek of our next novel “Indigo,” at the end of this mind ripper.
“We are with you everywhere.”
“The Pseudoverse Series has everything you love reading in one gorgeous set of fantastic novels.
These stories are the most gripping, twisting, turning, and well-written series of futuristic historical fiction novels you will ever lay your hands on.
You will be asking yourself, “why didn’t I come across these sooner?”
The cliffhangers, from novel to novel, suck you in like no other series you have read.
Kudos to CG and his extensive research into all things scary including “politics by mind-control.””
This is the shortest story from ‘Tales of Crime & Violence‘, (Volume 1) which falls into the ‘Violence’ category… but not how you may initially think… which is all part of what these books are about.
I pulled the car to a halt, two wheels on the grass verge and switched the engine off.
Immediately the engine died the radio seemed dreadfully loud.
So strange the way you get used to the noise of a running engine. The way your mind cancels out the rhythmic growling.
I wondered if it was always that way, if we have the ability to disregard repetitive or intrusive sounds?
I mean, did the cavemen do such? Was there a need? Maybe during a storm or a gale, they could close their ears to the sound of the howling winds or the consistent noise of heavy rainfall, maybe?
Or it could be a newly acquired skill since… since when?
At first, I supposed it would be during the industrial revolution. The sound of looms, presses and steam engines; thumps, clashes and clanging’s, a metallic cacophony the likes of which had never been heard before.
But then, before then, there was war. Iron forges for portcullis and armour, stonemasons chasing rock into blocks for castle walls; the incessant repetitiveness of hammer, of chisel, of mallet.
Then the battle. Masses of men, horse and oxen meshing and mashing themselves into bloody quagmires of gritty bone and blood.
If ever there was a sound to blanket I believe I would choose to smother that one.
Especially after the events of this morning.
Those screams sent sensations tingling the entire length of my spine. I could not tell if they came from the nape of my neck and ran down, like a streak of lightning to the base of my back, or if they started there, at my coccyx and travelled upwards to strike my atlas bone.
You see, it was not the volume, the earth splitting frequency of those elongated screams which caused my vertebrae to quiver. It was the intensity of which they were emitted.
I actually felt them. Felt the full ferocity of their energy within every organ, every cell of my entire being.
That ferocity was only equalled by the way she fought. Limbs flailing like broken masts in a force ten gale. Vicious nails, the talons of werewolves, and sharp teeth with the uncanny ability to locate exposed skin without conscious effort, seeking to rent chunks of flesh from my arms and face.
It took me a long time to subdue her. My face was gashed, long rips of bloodied skin hung from my cheeks. My arms were cut, bitten and bruised, as was my ego.
It was during that process, while I was trying to overpower her, I could have done with the capability to eliminate noise. I am certain I could have restrained her far quicker had she not been screaming so loudly, so constantly.
Even now, as I sit in my car with the radio on, volume so low it is barely audible, I can hear her screams echoing in my ears, my bloodied hands still shake a little, the remnants of the violent trembling the episode left with me.
I know her screams shall be a sound I shall carry within my memory forever, carry to my grave.
Fortunately, before she could do further damage before she managed to totally dismember and disembowel me, other nurses came to my assistance. Together we were able to subdue and sedate her.
As I left the ward I looked to where she now lay, sedated and sleeping. She looked so calm and serene, so peaceful and content.
I cannot help but wonder what demons inhabit her tortured soul.
Tonight, I shall pray for her.
You can find all three volumes of ‘Tales of Crime & Violence’ on Amazon and other good bookstores.